September 10, 2021

Lead Synth Workshop

In this workshop, attendees will learn lead synth performance techniques such as pitch bending, adding modulation, using other controllers, and configuring effects. The goal is to show fans how these parts are played in addition to providing tutorials for musicians. To illustrate specific techniques, the presenter and guests will play examples from fusion and progressive rock bands like Rush, Yes, Pink Floyd, and Adam Holzman (Steven Wilson band). Resources for further learning will be listed including solos worth studying, books about synthesizer performance/programming/effects, magazines, and YouTube videos.
Workshop Materials/Recommended Reading
Synth Solo Examples
LeadSynthWorkshop_SOLOS.pdf
About the presenter
Walter Daniel is a long-time synthesizer enthusiast going back to his original purchase of a then-new Micromoog. Engineering education helped him understand how synths worked while his jazz background informed his fusion playing style. Favorite synth players include Kit Watkins (Happy the Man), Jan Hammer (Mahavishnu Orchestra, Jeff Beck), and Adam Holzman (Steven Wilson).
Twitter: @WalterDanielATX
Further reading

Xander Rapstine, Symphonic Prog Rock

In Episode 7, we speak with Xander Rapstine about his work, inspiration and influences as a prog rock composer and songwriter, including with Proud Peasant, the Austin-based symphonic prog rock outfit.

Transit Method, Alt Prog Rock

In Episode 6, we talk to Transit Method, a band from Austin, TX that brings together the complexities of progressive rock with the unrefined grit of grunge and heavy metal. They recently released their sophomore record, The Madness, on Brutal Panda Records drawing comparisons to the likes of Soundgarden, Rush, The Mars Volta, and Motorhead. They’ve also been described as “a powerfully epic...

Black Ladder, Progressive Instrumental Rock Trio

Black Ladder is a progressive rock trio based in Austin, TX. Members include Shane Lamb (keyboard), Clarence Riley, IV (bass), and Ray Cardenas (drums). The band’s sound developed from a merging of Shane’s classically influenced licks, Clarence’s heavy funk bass lines, and Ray’s well crafted rock grooves.

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